Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Authors and publishers
---
Authorship
---
Book industries and trade
---
Author and publisher
---
Publishers and authors
---
Publishing contracts
---
Contracts
---
Book proposals
---
Copyright
---
Literary agents
---
Authoring (Authorship)
---
Writing (Authorship)
---
Literature
---
Book trade
---
Cultural industries
---
Manufacturing industries
---
History
---
Law and legislation
---
094.1 <41>
---
094.1 <41> Oude drukken: bibliografie--
Choose an application
Early modern pamphlets serve as an important vehicle for examining print culture, particularly the historical entanglement between the technology of print and a developing capitalism. Attention to the controversies surrounding their circulation reveals that pamphlets became a focus for anxieties about print culture in general. Alexandra Halasz combines close readings of pamphlets by Robert Greene, Thomas Nashe, Gabriel Harvey, Thomas Deloney and John Taylor, among others, with a discussion of the history and deployment of print technology and its specifically English organization as a monopoly. Taking account of the theoretical and historical issues surrounding textual property, authorship and publicity, The Marketplace of Print, first published in 1997, is both a work of historical recovery and a reflection on the ongoing problems of the relationship between the marketplace and the public sphere.
History
---
Book history
---
Graphic arts
---
pamphlets
---
anno 1500-1799
---
Great Britain
---
England
---
094.1 <41>
---
094:93 <041>
---
094:93 <041> Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays
---
Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays
---
094.1 <41> Oude drukken: bibliografie--
Choose an application
This is a revisionist history of press censorship in the rapidly expanding print culture of the sixteenth century. Professor Clegg establishes the nature and source of the controls, and evaluates their means and effectiveness. The state wanted to control the burgeoning press, but there were difficulties in practice because of the competing and often contradictory interests of the Crown, the Church, and the printing trade. By considering the literary and bibliographical evidence of books actually censored and by placing them in the literary, religious, economic and political culture of the time, Clegg concludes that press control was not a routine nor a consistent mechanism but an individual response to particular texts that the state perceived as dangerous. This will be the standard reference work on Elizabethan press censorship, and is also a history of the Elizabethan state's principal crises.
Book history
---
anno 1500-1599
---
England
---
Censorship
---
-Freedom of the press
---
-Censorship
---
-098.1
---
348.416.4
---
094.1 <41>
---
094:054
---
351.751 <41>
---
098.1 Verboden boeken
---
Verboden boeken
---
351.751 <41> Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland
---
Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland
---
094:054 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nieuwsbladen
---
Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nieuwsbladen
---
094.1 <41> Oude drukken: bibliografie--
Choose an application
Examining hundreds of early printed books containing works by Chaucer, the 'father' of English poetry, and his much-maligned follower, John Lydgate. She demonstrates that the shift from manuscript to print was part of the controversial process by which Chaucer earned his exclusive place in English literary history.
Printing
---
Books
---
Transmission of texts
---
Literary transmission
---
Manuscript transmission
---
Textual transmission
---
Criticism, Textual
---
Editions
---
Manuscripts
---
Early printed books
---
Incunabula
---
History
---
Origin and antecedents.
---
History.
---
Chaucer, Geoffrey,
---
Lydgate, John,
---
Chaucer, Jeffrey,
---
Chʻiao-sou, Chieh-fu-lei,
---
Chieh-fu-lei Chʻiao-sou,
---
Choser, Dzheffri,
---
Choser, Zheoffreĭ,
---
Cosvr, Jvoffrvi,
---
Tishūsar, Zhiyūfrī,
---
Lidgate, John
---
Lydgate, John
---
Lidgate, Iohn
---
Monk of Bury
---
Monke of Burie
---
Monk of Bery
---
Criticism and interpretation.
---
093.1 <41 LONDON>
---
093 CHAUCER, GEOFFREY
---
094.1 <41>
---
094 CHAUCER, GEOFFREY
---
820 "14"
---
820 "14" Engelse literatuur--?"14"
---
Engelse literatuur--?"14"
---
094 CHAUCER, GEOFFREY Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--CHAUCER, GEOFFREY
---
Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--CHAUCER, GEOFFREY
---
094.1 <41> Oude drukken: bibliografie--
Choose an application
"English in print from Caxton to Shakespeare to Milton" examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-colour images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and, the development of school grammars and dictionaries.Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological parameters of Pollard and Redgrave's famous "English Short-Title Catalogue" (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
Book history
---
anno 1500-1599
---
anno 1600-1699
---
Great Britain
---
Early printed books
---
Incunabula
---
Printing
---
093.1 <41>
---
094.1 <41>
---
094 =20
---
094.2 <73 NEW HAVEN>
---
094.2 <73 URBANA>
---
094:800
---
Cradle books (Early printed books)
---
Incunables
---
Books
---
Printing, Practical
---
Typography
---
Graphic arts
---
Bibliography
---
094:800 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Taalwetenschap. Taalkunde. Linguistiek
---
Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Taalwetenschap. Taalkunde. Linguistiek
---
094 =20 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Engels
---
Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Engels
---
094.2 <73 NEW HAVEN> Oude drukken: bibliotheekcatalogi--
Choose an application
In Networking Print in Shakespeare's England, Blaine Greteman uses new analytical tools to examine early English print networks and the systemic changes that reshaped early modern literature, thought, and politics. In early modern England, printed books were a technology that connected people—not only readers and writers, but an increasingly expansive community of printers, publishers, and booksellers—in new ways. By pairing the methods of network analysis with newly available digital archives, Greteman aims to change the way we usually talk about authorship, publication, and print. As Greteman reveals, network analysis of the nearly 500,000 books printed in England before 1800 makes it possible to speak once again of a "print revolution," identifying a sudden tipping point at which the early modern print network became a small world where information could spread in new and powerful ways. Along with providing new insights into canonical literary figures like Milton and Shakespeare, data analysis also uncovers the hidden histories of key figures in this transformation who have been virtually ignored. Both a primer on the power of network analysis and a critical intervention in early modern studies, the book is ultimately an extended meditation on agency and the complexity of action in context.
Early printed books
---
Authors, English
---
Printers
---
Book industries and trade
---
English literature
---
Social networks
---
System analysis
---
094.1 <41>
---
655 <09>
---
Bibliography
---
Books
---
655 <09> Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Geschiedenis van ...
---
655 <09> Graphic industries. Printing. Publishing. Book trade--Geschiedenis van ...
---
Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Geschiedenis van ...
---
Graphic industries. Printing. Publishing. Book trade--Geschiedenis van ...
---
Network analysis
---
Network science
---
Network theory
---
Systems analysis
---
System theory
---
Mathematical optimization
---
Networking, Social
---
Networks, Social
---
Social networking
---
Social support systems
---
Support systems, Social
---
Interpersonal relations
---
Cliques (Sociology)
---
Microblogs
---
British literature
---
Inklings (Group of writers)
---
Nonsense Club (Group of writers)
---
Order of the Fancy (Group of writers)
---
Book trade
---
Cultural industries
---
Manufacturing industries
---
English authors
---
Social aspects
---
History
---
Data processing
---
Oude drukken: bibliografie--
Choose an application
Itinerant salesmen, also called pedlars, street hawkers, hucksters and ballad singers are considered to be the most important distributors of popular printed matter in Europe between 1600 and 1850. A general assumption is that the pedlar travelling from town to countryside was strongly distinct from the role of the established booksellers in the towns, selling books to the educated and affluent buyer. The commercial position of the urban pedlars, however, is very often underestimated. In this book, therefore, the itinerant book trade is studied in an English and Dutch, urban context, leading to a new perspective on the role of the pedlars as an intermediary between the established booksellers and an extensive, socially diverse reading public.
Book industries and trade -- England -- History -- 17th century.
---
Book industries and trade -- England -- History -- 18th century.
---
Book industries and trade -- Netherlands -- History -- 17th century.
---
Book industries and trade -- Netherlands -- History -- 18th century.
---
Book industries and trade -- Social aspects -- England.
---
Book industries and trade -- Social aspects -- Netherlands.
---
Peddling -- England -- History -- 17th century.
---
Peddling -- England -- History -- 18th century.
---
Peddling -- Netherlands -- History -- 17th century.
---
Peddling -- Netherlands -- History -- 18th century.
---
Book industries and trade
---
Peddling
---
Education
---
Social Sciences
---
Book Studies & Arts
---
History
---
Social aspects
---
Book trade
---
Hawking
---
Huckstering
---
Peddlers and peddling
---
Colporteurs et colportage
---
655.42 <492>
---
655.42 <41>
---
094.1 <41>
---
Direct selling
---
Boekhandel--algemeen--Nederland
---
Boekhandel--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland
---
Oude drukken: bibliografie--
Listing 1 - 7 of 7 |
Sort by
|